Collier - Ceinture - Embrase
Perles en terre, verres, agate, métal, coquillage et attache en cuir.
Dimensions : 150cm
PalmSpring refers to the palm on the back of the chair and to the season during which the first chair has been concepted.
The back of the chair is made from recycled Brazilian coffee bags found in Parisians’ coffee roasting plants.
The pearls winding around the armrest are seeds that grow in cluster on the açai palm tree. Their tint is obtained from plant colouring agents.
Created using a vintage bridge armchair picked up for a bargain in Paris, the chair – including the upholstery of the seat itself – was totally refurbished by hand, using French know-how. The work is composed of webbings, hard canvas, leaf fibre and animal hair, twines, cotton cloth and upholstery tack.
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Unique item.
PalmSpring refers to the palm on the back of the chair and to the season during which the first chair has been concepted.
The back of the chair is made from recycled Brazilian coffee bags found in Parisians’ coffee roasting plants.
The pearls winding around the armrest are seeds that grow in cluster on the açai palm tree. Their tint is obtained from plant colouring agents.
Created using a vintage bridge armchair picked up for a bargain in Paris, the chair – including the upholstery of the seat itself – was totally refurbished by hand, using French know-how. The work is composed of webbings, hard canvas, leaf fibre and animal hair, twines, cotton cloth and upholstery tack.
​
Unique item.
"Peacock"
Les galons, sur lesquels se dessinent des paons multicolores, sont tissés de soie et de coton. Ils proviennent d’Inde où ils sont utilisés dans la confection des saris.
Les velours épais apportent une douceur exceptionnelle au touché.
Cette collection est réalisée à partir de chauffeuses Napoléon III dont les pieds sont tournés et teintés en noir.
Ces fauteuils ont été chinés à Paris et entièrement restaurés manuellement dans la pure tradition française de la garniture en siège : il s'agit ici d'une garniture piquée (dossier et assise). Sangle, toile forte et d’embourrure, crin végétal et animal, ressort en acier, ouate de coton et semences composent l’ouvrage.
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© Céleste Leeuwenburg